Olafur Eliasson - Round Rainbow - 2005

The Weather Project by Olafur Eliasson.

Amazing installation by Olafur Eliasson at Tate Modern, London.

Art Now -- Episode 1 Olafur Eliasson in Conversation

"The danger with entertainment is of course detaching time and refering to space as if it is a picture."
"How does one actually put time back into space?"
"There´s this play about where do you actually create the space or does the space extendidly create you?"
"The museums are not just standing stills as kind of objetive autonomous shells. They are involved in a kind of more or less market based ecconomy of experiences."
"How does one actually within that frame succeed comunicating art in a way that accelerates serious questions?"
"That´s always my fear: to end up entertaining and to become affirmative and sort of re-institutionalize the already very rigid and conservative and static idea of time and space, that museums to a greater extend are still doing". (Olafur Eliasson)

An interview with Danish artist Olafur Eliasson by Adrian Searle, art critic of The Guardian, 60 min.

Art Now -- Episode 1 Olafur Eliasson

"Art Documentary / 30 min / 2005
A portrait of the Danish artist Olafur Eliasson. The film introduces Eliasson's work and aesthetic theories as it documents one of his largest exhibitions ever, Notion Motion, at the Boijmans van Beuningen in Rotterdam.
Directed by Jan Schmidt-Garre
Produced by PARS MEDIA
Co-Produced by ZDF/3sat
Supported by Media+
WWW.PARSMEDIA.COM" (Parsemedia)

Dan Perjovschi, WHAT HAPPENED TO US?, at MoMA

"In his first solo museum show in the United States, contemporary artist Dan Perjovschi creates site-specific wall drawings at The Museum of Modern Art, New York.

Perjovschi, who lives and works in Bucharest, Romania, makes witty and incisive social and political images in response to current events. His work has been featured in Biennials from Venice to Istanbul to Moscow.

Projects 85: Dan Perjovschi, WHAT HAPPENED TO US?, is on view at The Museum of Modern Art from May 2 through August 27, 2007." (MOMA)